"Suda-san looked over the game design and supervised the project as an executive producer." Suda51's credit in the original Lollipop Chainsawĭetails on the remake are short for now, as footage of the game has yet to surface. "As Suda-san was very busy handling development on other projects at the time, I served as director and producer, creating a joint development team consisting of staff from Grasshopper Manufacture and Kadokawa Games, overseeing development directly," Yasuda claimed in his original announcement. When Lollipop Chainsaw launched, its end credits listed Yasuda as the executive producer and Suda51 as the creative director.
SUDA51/須田剛一 July 6, 2022Ĭuriously, Yasuda claimed that Suda51 had helped supervise the original project when it began, taking on an advisory role. I give it a 2 instead of 1 only because it wasn't too broken to beat.To add my two cents, like says, neither he nor I am involved in this project at all, and Grasshopper Manufacture has nothing to do with development or anything. People do a lot of heaby lifting with cope in their positive regard for this schlock. It's obnoxious as hell that people try to position this game as some sort of slept on subversive feminist work of art. I like SUDA51 stuff and media that shrugs off wariness of the male gaze, but this game did nothing but make me resent having played it. This is tripe that gets graded on a curve because of the quirky gimmick concept that is one ply tissue thin. This isn't Faster Pussycat or Beyond the Valley of the Dolls. The game ends with the most played out style of final boss and a sequence of QTEs that are immediate deaths if you fail ( restarting a drawn out boss encounter from the beginning.) James Gunn mentioned Russ Meyer as a reference point for the type of female sexploitation figure Juliet is supposed to be. I would complain that it was a ridiculously short game, but I'm glad there wasn't more of it to play because it quickly became a chore.
The fanservice cheesecake elements are tepid and add no aesthetic value. The attempt at being edgy with the dialogue is corny and feels like a boomer wrote it. The plot and stage design is weak and uninspired. This game gets wayyyy too much of a pass.
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